ElectiCITY, 18×24 pastel on a prepared surface

I am honored to have been part of MAKING OUR MARK, a six-person show at the Sprinkler Factory this April. The show has been very well received, with a smashing opening, complete with hundreds of visitors, live music, and surprise appearances by friends and relations.

Its been a great pleasure exhibiting with fellow artists Dave Kaphammer, Janet Schwartz, Cindy Crimmin, Maryann Mullet and Catherine Meeks. While we share many of the same materials, each artist’s use of color, form, and mark-making is uniquely their own. Its made for a strong show, rich in contrast and connection.

The piece above, ElectriCITY,  is part of my exploration of the earth as seen from above. Once the moon and the sun are gone what we see of the earth is defined by what is illuminated—by streetlights, traffic, buildings, and industry. As I delve further into this series I have become more and more interested in the tension between what we see—that which is illuminated—and what is invisible in the shadows. This theme resonates for me on many levels. I look forward to exploring it further.

Last chance to see the show is this weekend— come to the closing party Sunday April 29, 1-4 pm at the Sprinkler Factory, 82 Harlow St, Worcester. Hope to see you there!

The Connecticut Pastel Society’s 2015 Renaissance in Pastel national juried exhibition is being held at the UConn Stamford Art Gallery, One University Place, Stamford, Connecticut. The exhibit is open to the public November 9 through December 12, 2015. Admission is free.

The annual Renaissance in Pastel exhibit attracts notable pastel artists from all over the country. More than $10,000 in prizes are  awarded for outstanding new work. Art work has been selected by a jury of artists of national prominence.

Awards jurors are Christina Debarry, Past President of the Pastel Society of America, and Deborah Quinn Munson, a signature member of the Pastel Society of America and a nationally recognized pastelist.

The show includes work by artist, Diane Sawyer, of Milton, Massachusetts. Diane’s painting “Lit” won the prestigious Judith Walo Memorial Award. 

Diane will be one of two award jurors for the Connecticut Pastel Society’s 2016 Renaissance in Pastel Exhibition.

Lit, 18×24, pastel on UArt

Monet in his studio, working on the paintings that would line the galleries of l’Orangerie Museum in Paris.

Water lilies and reflections are one of my favorite subjects to paint. With three days in Paris this past July at the end of a painting trip in France, my top priority was a day trip to Giverny to visit Monet’s home and gardens, especially his water garden.

As a child I sat mesmerized before Monet’s paintings in the Art Institute of Chicago, the National Gallery in DC, and later at the Met and MOMA in New York. But the first time I visited l’Orangerie in Paris, surrounded on all sides by the magnificent murals that Monet created in the last years of his life, I felt that I was actually sitting at the side of the artist by his beautiful lagoon.

This time in Paris I hoped to visit the Louvre, the Orsay, the Musee Marmotan, and perhaps the Rodin Museum! Or at least as many of those places as I could. But I arrived at the Louvre to find the square FULL of people. It was the first Sunday of the month, and the museums were free. The place was mobbed. Same story at the Orsay. So I found myself again at l’Orangerie, and was able to get in with only a half hour wait.

It was wonderful to see these paintings again before my trip to Giverny. Downstairs a show on collector and dealer Paul Guillaume included miniature rooms from his apartment in Paris complete with tiny models of his African art collection! It reminded me of the hours I spent staring into the miniature rooms at the Art Institute of Chicago when as a child, I went to work with my dad! African art inspired and excited Guillaume, and many of the contemporary artists he represented such as Cezanne, Derain, Modigliani. I thought of my dad, who introduced me to the joys of museums, and always supported my exploration of art. He would have been as thrilled as I was to be there.

One of the miniature rooms in l’Orangerie, showing Paul Gilluame’s collection of paintings and African art.

When I emerged from the museum it was pouring. Soaked, I considered but gave up on my plans to visit any more museums, deciding that I had absorbed enough art and water for one day.

Mary, one of the other artists on the pastel trip, and I planned to rendezvous in Giverny on Monday. That morning I was at Gare St. Lazare, tickets in hand, waiting to see what platform the train would be on, when it suddenly disappeared from the board. Electrical problems in Rouen caused all the trains to be canceled on that line that day. Mary was staying in Rouen and was stranded as well. Disappointed, I took my pastels and went over to the Jardin des Plantes to do a little plein air painting.

The next day we resolved to try again. The forecast was calling for showers and then steady rain, so I left my pastels at the hotel. Mary is an optimist, so she brought hers along. We met at the station in Vernon, and boarded the bus to Giverny. We got to the gardens around 9:45, and it was already packed with tours. Resolved to see the water garden while the weather held, we leapfrogged the groups, and made our way directly there.

The top of Monet’s big pink house is just visible above the garden.

Mary and I inched our way around the pond, so happy to be there, taking it all in. The sun actually came out for a while, but mostly the sky was like a giant soft box, perfect for photography. We even cracked out our paints, Mary her pastels, and me a small watercolor kit, and painted for a little while before it started to pour.

Surprisingly, the garden was even more beautiful in the rain! The water lilies opened up along with all the colorful umbrellas. The pattern of rain on the water, the calligraphy of the willow branches in front of the pond!! I felt transported into one of Monet’s paintings, just soaking up the beauty of the place. My shoes were also soaking, unfortunately. But I had my borrowed umbrella from the hotel, and I couldn’t have been happier to be where I was at that moment.

Willow branch calligraphy.

The lilies opened up in the rain.

The umbrellas add to the color.

The inspiration for my painting, “After the Rain”.

Another miniature room, Monet’s studio, for sale in the gift shop.

Monet’s house was charming, and a walk though the village gave us glimpses of Giverny as it was in Monet’s time. Mary and I hugged goodbye, both of us so happy to have been able to share the experience with a like-minded traveler.

Mad River, 12 x 18, Pastel on UArt

Sponsored by the Pastel Painters Society of Cape Cod, this national juried pastel exhibition was held annually at the Cultural Center of Cape Cod on Old Main Street in South Yarmouth, MA. It includes some of the best pastelists working today.

I have been honored to be included for the past three years. My painting Mad River was chosen to be included this year.

I started this painting on the banks of the Mad River in Vermont, with my easel set up on the rocky bank. Every so often a bit of spray would land at my feet.

I was able to complete the underpainting and block in the painting onsite, and later developed the painting further in my studio. Parts of the original underpainting still show through in the rocks and  river.

I am honored to have a painting included in the For Pastels Only show presented by the Pastel Painters Society of Cape Cod June 26-July 22, 2012. It was an impressive grouping of work by many well-known artists working in this medium. The opening was at the Cultural center of Cape Cod in South Yarmouth. It was fun to see many of the artists that I have met at various workshops this past year, and a pleasure to see so many beautiful paintings. White Beach Dawn, shown below, was selected for inclusion in the show. This painting of the white shell beach and Madrona trees along the rocky coast line of British Columbia’s Vancouver Island is set in one of my favorite places, Yellowpoint.

White Beach Dawn 12 x18

Owner Deb Fairbanks has decided to extend the show through the first week in May. Approximately 30 guests came by for our second artist reception on March 31st. We got great feedback on the work, and it was a pleasure to be there. Deb has done a wonderful job with the installation. Between the pastels (mine and Dave Kaphammer’s), the HD photography by Bjorn Bergsten, the lovely hangings by Catherine Hirsh, and the beautiful large sculptural pieces by Elizabeth Harrison there’s a lot to see. Plus you can get a great snack and a cup of Joe at the Coffee loft. Thanks everyone for coming! Tell your friends there’s still time to see the show! I’ll post some photos from the opening later on.

The gallery is at 406 Lincoln St. in Marlborough MA 508-251-1431

Despite the record heat, many people came to the opening of my show at the library 7/21/11. I got some great feedback, lots of positive comments, saw many old and new friends, and by the end of the night had sold three pastels and two photos.

Much to my surprise, a reporter from the Patriot Ledger came as well to report on the opening. The video appears in video section of patriotledger.com.

To get a small glimpse of the show go to:

http://www.patriotledger.com/video/x1259737036/Diane-Sawyer-reception-at-Milton-Library